9/11/2023 0 Comments Jessica mas movies![]() As the movie progresses and ultimately gets better, the subtle suspense builds, and each individual incident pushes Morales closer to his breaking point. Despite this premise, the crime-action is more a successfully imminent background thought than a constant in-your- face presence. Abel Morales, a successful, hardworking oil company owner, tries to thrive and survive during 1981 NYC, the most violent year in history. Is it a bit TOO quiet and a bit TOO slow at times? Yep but the taut skill on display is too good to ignore. It's a fantastic period piece that creates an authentic, distinct look at 1980s New York, while tonally replicating films from that era. With AMVY, an adult mystery-drama-thriller, he screams of the classics: tension of French Connection, quiet of Chinatown, and menace of Mean Streets. Mama is the kind of horror film that abandons the gruesome acts and rather shows its dark aspects in a quite endearing way.Chandor (All is Lost) is one of the more prolific young directors working. The performances and the filmmaking give more to the experience. It's still far from classic but it is also far from generic and annoying like most horror films we get these days. Putting aside those cheap scares, it's a refreshing story that is indeed worth telling. The clichés still exists but they are used in a better way. ![]() At glance, it doesn't look like the kind of horror film we usually thought about but furthermore we get to realize it is beyond than we should expect. The cinematography and the production are a total pay off. The film uses some CGI which made the monsters look a bit awkward but they are decent enough. It could have lingered on those parts to feel the danger of the characters, but instead they immediately send off a loud jump scare because it works to everyone. They still used some other ways of scaring the audience, like mimicking the clever horror trick of "The Orphanage" and letting the character be alone exploring the creepiness going on. Though, they can be effective at some point. The only largest misstep they had is the excessive amount of loud jump scares. ![]() ![]() In the end, we'll realize the film actually offers more to the picture. Personally, it's kind of more interesting when it simply tells the story of the two kids and the Mama ghost even though it features a horror cliché of ghosts telling their past to the central character. It finely balances the drama to the darkness of the story. There is a lot of remarkable performance to talk about but anyway. The performances handle them terrifically. This is a rare set of modern horror characters that possesses a genuine soul. What defy the odds of the genre are the characters. It's a fascinating trick of manifesting its mysteries and fear. Rather than throwing a horrific death scene to show fear, it scatters some symbolic objects that indicate the presence of the titular monster. ![]() Obviously there is a hidden emotion beneath the concept, but before we get to that, it explores around the characters and the gloomy atmosphere. Unlike most modern horror films, this movie's ambition is to tell a compelling story. It could have been much genuine in being scary than simply loud but Mama is still one of the great horror films we got in a while. It also has a set of strong performances and solid production. Mama is something else however it still has those horror movie clichés, like those easy loud jump scares and some ghostly pathos, but there is a fascinating concept behind the scares that leaves the audience a beautiful story than just a cheap horror shock. Horror has been one of the least appreciated film genres nowadays for relying nothing more than the excessive amount of violence and repetitive jump scares, plodding the storytelling by its completely lifeless characters who are ready to get killed. ![]()
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